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INTERI EU RS TRAVEL

ha ï kusetpo ê mescourts

Modern mythology,

C esimmobile moments:

O urinternal trips.

Symmetries and forms of an evening

The semi-darkness shelters those who do not sleep

The street lights up people who come home late

Winter Sunday on the terrace

People are at the show:

Spectators watched!

In my cup a tea,

My city between two elephants:

Urban hot drink.

The vagueness of the discussions,

The waiters at attention.

Symmetry of the moment.

Beyond my table

In the effervescent warhead

I contemplate the harbor

Late afternoon sun

Quiet in the port.

On the water float dreams ...

In the misty sky

The sun plays with the shadows

The trees are disheveled

That rises in the air

it is not a kite ...

It's a crocodile!

The sky in the sand

The waves as horizon

The surfer waits.

Traces in the sand,

The bathers are no longer there

The prints remain.

Between white and black

Is the gray of the sky.

The men are playing tonight.

Electric sky

Heaven and ocean unite

Liquid embrace

These lukewarm walks,

The first sunbaths.

Our beautiful months of May!

Impasse Graffes: noon

The steps behind the railings,

The stairs to the wall.

Ink butterfly

On salty skin

Summer hope

Beautiful sun rain

Bathers at the dock, bathers in the water

Hot summer day.

Oil sea

for water fishing:

anglers.

By a broken pane,

I discover a deposited island

On the water and the rocks.

The old man, the child,

Shadows between the rocks.

End of day moment

I photograph you

Hidden behind your harness -

Touching shyness

He heats up in the sun

The old man with the crutch-

Cold November.

It's already nighttime

Ice cream parlors have closed

It's late let's go home

Moment in a lifetime.

It's just a station forecourt,

A night stopover.

Your image my baggage

Where I go my heart is not

Longing on my lips

Black sweater and white night

The traveler with the bag

Try to rest.

Track Y, my train is waiting.

In your hair a promise

My head is filled with hope.

Leak on the rails

My memories, my future

So far and so close

These moving images

The train leaves them behind

Only the vagueness remains.

Flood lights of the port

Reflections at the top of the glass

Men run by.

Through the frozen window

Blurry city lights

The reflection of the file

Pavers and wet floors

A man walks by the ferry:

Night walk.

Like pearls,

The drops in the lace shine.

Magic in the night.

Anthill humanity.

Only the luggage arises.

Around the world is agitated.

Gray day, pouring rain,

Passers-by walk and pass each other,

The umbrellas are dancing.

Storm frenzy!

Footsteps rush through the puddles

wet trees bow.

S ilhouettes

Vaguely with both feet in reality, one day I opened the dictionary and I could read:

Silhouette: n. fem. syn. shadow

a) black shape on a light background

* The black silhouette of trees in winter

b) appearance of a person

* the slender and slim figure

Well both feet in my reality, one day I opened my mind and I could see more, much more:

Through the words of the images,

Through our eyes mirages,

For our hearts of truths

That poetry has shown us.

Realities distorted into dreamlike images,

Before our eyes is born this strange idea:

The truth is an illusion and the illusion a truth ...

From dreams to realities, and from realities to lies,

Palpable ideas in vaporous impressions:

Reality turns into singular lies,

and deceives us in strange appearances.

Now I know it ...

Gregory BOIN

02/15/2007

Metropolis


Metropolis

The noise of the subway, the loneliness of the faces

Metropolis

Metropolis almost conquered, still rebellious.


I read between the lines of your Metropolis streets.

Metropolis

In addition to this, you need to know more about it.

At the corner of every street your silences and in your nocturnal agitations.

In addition to this, you need to know more about it.

Metropolis

All these lives in your boulevards that cross and slide:

where the flow circulates and life beats.

South Colors

In addition to this, you need to know more about it.

Once upon a time, there was the bright and colorful South. Place of life where tourists and locals populate the azure blue.

In addition to this, you need to know more about it.

In addition to this, you need to know more about it.

Once upon a time, there were human ants looking for the right place to end up with the sea.

In addition to this, you need to know more about it.

Once upon a time, there were those public and intimate places where we meet. These places where bodies give themselves to the sun.

In addition to this, you need to know more about it.

Once upon a time, along those long summer beaches, these individuals in slippers and light sneakers.

In addition to this, you need to know more about it.

In addition to this, you need to know more about it.

Once upon a time, there was this people of the south who, actor and witness, are active in a motley broom in colorful outfits.

In addition to this, you need to know more about it.

05.06.2019

In Ryth me lights, overexposure in

overprints, I scratch.

In addition to this, you need to know more about it.

The images scratch and crackle , the dust squirms in them.

In addition to this, you need to know more about it.

Ghostly, burned, stained, blurred they know feels any caliber.

In addition to this, you need to know more about it.

No more metronome, anarchy reigns

so that the clichés are shattered.

Terra Proxima

 

Very close to us exists a world, a strange place where weightlessness barely exists. A universe that seems to obey other rules: another space-time.

It is populated by beautiful and strange creatures. Sometimes magnificent, sometimes frightening. They can be adorned with unspeakable colors, or blend into the landscape.

These emanations of nature live and die between wanderings and survivals: Fantastic ballet of nature.

Once the veil of this reality was torn, we set our eyes on a new land: Terra Proxima.

In addition to this, you need to know more about it.

In addition to this, you need to know more about it.

Black and white nights along the coast, the streetlights illuminate me. Lonely nights along the banks I meet night owls blending into the landscape. As I progress the grain settles and settles.

Inert places and nocturnal agitations freeze in the middle of the darkness. Raw and grainy the images come to me: a few kilometers of artificial lights from the Catalans to Goudes. Marseille: half-asleep city you make us all take a night train.


To see and freeze the night in these places where the sea oscillates between boredom and celebration, I had to take the night grain. As for a night train, I had to pay for my ticket due to insomnia.

In addition to this, you need to know more about it.

09-16-09
G. Boin

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